INTERNATIONAL Creative youth FORUM

ARTSSPACE COMMUNITY AND VOICE


The periodical Platform
FOR authentic originals,


SUPPORTING THE GLOBAL YOUTH WITH
CREATIVE OPPORTUNITIES, NETWORKING AND VALUE


Composition 3 | 2023 | AUGUST to NOVEMBER

Olivia asked us, "How will I benefit from using your platform?" We answered, "Thanks Olivia for your question! Firstly, as a reader, you receive access to bespoke research, editorial opportunities, and all the benefits from interacting with like-minded creative people collaborating on joint ideas, projects, and editorials. Secondly, if there are pressing questions that you would like answers to by one of our community of experts, they will be constructed specifically for you, no robots!"

https://drive.google.com/file/d/1SOfgIXN9KgopJZtlgRJJxcklD0DEeNbn/view?pli=1

https://lnkd.in/ezW9u5vi

Creative Youth Forum and Creativity Community of Practice offer you a platform where young minds and great minds from global, social and cultural backgrounds, come together to share ideas and collectively create innovative solutions to everyday challenges.
Through our programs and workshops we hope to illuminate your potential and encourage you to make for the global community, a real difference.

Welcome to the Creativity Community of Practice and Creative Youth Forum Network:
A space to exchange knowledge and ideas with an international stage of creative educators, experts and engaged citizens.

The Creativity Community of Practice, and Creative Youth forum have united to create a single platform, to share and build their network of creative ideas and thought.

We are pleased that you have taken the time to read our articles by both the educational scholars and students who work with us. If you have thoughts on how we develop and grow, please share, and we will grow!

C-CoP

https://corporate.bic.com/en-us/commitments/about-the-creativity-community-of-practice-c-cop

A coalition of educators, researchers, not for profits, organizations, foundations, artists, and creatives that meet virtually and/or in person to exchange theories, ideas, and best practices.

CYF

https://www.creativeyouthforum.com/

A visionary group of internationally acknowledged young creatives completely committed to sharing your voice on global educational developments and indentured to support your creative innovation and leadership.


NOW... Do these statements sound familiar? Then we look forward to your support, interest and collaboration!
“Education must be seen as a habit and mindset that allows individuals to collaborate with others to acquire and apply knowledge across disciplines in order to address the changing needs of their communities and the world.”. Greg Martin

STEP ONE COMPLETED!  GREAT TO SEE YOU HERE!  |  STEP TWO, VISUALLY DIGEST  |  STEP THREE, CONNECT!

The Creativity Community of Practise and the Creative Youth Forum

A great opportunity to hear our C-CoP members share their experience on creativity in education and research

Teachers open the door ... you enter by yourself.

25Aug

If you ask a learner who owns the space they are learning in, the answer, so many times, is the teachers. If you ask teachers who owns the space they work in each day, they will say, moreover than not, it is theirs. Why is this? Why do we not here more often that the learning space is co-owned by the learner and the educator? In fact, why dont we here more often from the teacher that it is a space where they also come to learn every day?

A stimulating co-owned space by both teachers and learners not only brings fresh and up to date learning ideas but is also more often than not a second home. Good teachers that provide security and ownership often accidentally are refereed to by accident as Mom OR dad! Embarrassing perhaps but when you think about it what is it saying about how safe the learner feels to develop their personal learning without fear of making mistakes, a space where making mistakes is simply part of the learning process and more often leads to much deeper ideas. https://greatergood.berkeley.edu/article/item/why_we_should_embrace_mistakes_in_school

A case for less sterile empty learning spaces or eclectic seemingly chaotic spaces

Which is better? This is an educational argument that raises its academic head every year, with proposals for both arguments. It is true i believe and clearly stated in papers arguing for clean spaces that for some types of learning this is a better proposal. However when the aim of the the educator is to stimulate meta cognitive, self-regulated learning a more jointly ownership space which has the same familiars and constants suggests a far better environment.

Questions worth thinking about if you are a educator?

What is your vision for supporting creativity in education?

What do researchers have to offer the development of creativity in education?

What challenges do we face in trying to support creativity in education?

What might the benefits of teaching for creativity be for teachers?

Professor Todd Lubart UNI Paris 

https://d1wqtxts1xzle7.cloudfront.net/50315381/Informed_Eclecticism_in_the_Design_of_SelfAccess_Language_Learning_Environments-libre.pdf?1479188490=&response-content-disposition=inline%3B+filename%3DInformed_Eclecticism_in_the_Design_of_Se.pdf&Expires=1692958729&Signature=AkhPKQyqFtRerlNLqFOWOBfhYtAfBE0eSjoUyN2Yd~qACRjdEoc8Mf0CjzaFDKoGfdg~JSn4P4f67obScxBQnaudL~8pCcrNWzWZui8nW9BiXzMrB6-0z7uLGdqV1s0dTFTVgZwpht20yawR7VWvfR96J0W7k2mXBIfERWWRkwpYbL8~gUVZ2h6XPLU62zUfxUVHcFu5MQw2tb~myL8uDfgD27BhFZU-YppvaS8zcL0OzXIN5vYbT-5X~dr9bB4m4jptL36lBl05XEh2acDdUGEiUT2HBVexiryYh8Ibt~Uz2-pFWiMhgunwnWGExI2nHvo1OtT~pwJWknpDwcwTzA__&Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA

Creating a space for learning that encourages self-awareness, confidence, and ownership. Building confidence in creative education with pupil self-regulated learning and meta cognition is a possible research topic that relates to how students can enhance their creativity and learning outcomes by using strategies that help them plan, monitor, and evaluate their own learning processes. Some of the sources that might be useful for this topic are: Metacognition and Self-regulated Learning: This is a guidance report by the Education Endowment Foundation that offers seven practical recommendations for teachers to develop meta cognitive knowledge and skills in their pupils. It also provides examples of how to apply these strategies in different subjects and contexts. Teaching thinking: Promoting Metacognition and Self-Regulation in the Classroom: This is a blog post by Twinkl that explains the benefits of teaching meta cognitive and self-regulatory skills to students. It also suggests some activities and resources that can be used to foster these skills across the curriculum. Metacognition and self-regulated learning: This is a summary of the evidence on meta cognition and self-regulation by the Chartered College of Teaching. It outlines the key concepts, principles, and strategies of these approaches, as well as some challenges and implications for practice. These sources might help you understand the theoretical and practical aspects of building confidence in creative education with pupil self-regulated learning and metacognition. Creating a space for learning that encourages self-awareness, confidence and ownership is a valuable goal for educators who want to foster a positive and supportive learning environment for their students. Self-awareness, confidence, and ownership are important aspects of meta cognition, which is the ability to think about one’s own thinking and learning processes. Metacognition can help students improve their academic performance, motivation, and creativity. Some of the ways to create a space for learning that encourages self-awareness, confidence and ownership are: Providing a safe and respectful space where students can express their thoughts, feelings, and opinions without fear of judgment or ridicule. This can help students develop a sense of belonging, value, and identity. Encouraging students to ask questions, explore their own ideas, and pursue their own interests. This can help students develop a sense of curiosity, autonomy, and agency. Giving students feedback that is supportive, constructive, and specific. This can help students develop a sense of competence, growth, and achievement. Helping students set goals, monitor their progress, and reflect on their learning. This can help students develop a sense of responsibility, self-regulation, and self-evaluation. Exposing students to different perspectives, experiences, and cultures. This can help students develop a sense of empathy, diversity, and inclusion. By creating a space for learning that encourages self-awareness, confidence and ownership, educators can help students become more engaged, empowered, and creative learners. Providing stimulus in a creative education environment that is aware of contemporary research ideas. Providing stimulus in a creative education environment that is aware of contemporary research ideas is a challenge that many educators face. Creative education is an approach that aims to foster students’ imagination, innovation, and problem-solving skills by engaging them in meaningful and authentic learning experiences. Contemporary research ideas are the latest findings and insights from various disciplines and fields that can inform and inspire creative education. One possible way to provide stimulus in a creative education environment that is aware of contemporary research ideas is to use project-based learning (PBL). PBL is a pedagogical method that involves students working on a complex and real-world problem or challenge over an extended period. PBL can help students develop their creativity, critical thinking, collaboration, and communication skills, as well as their content knowledge and understanding. To use PBL effectively, educators need to design projects that are relevant, rigorous, and engaging for students. Some of the steps involved in designing a PBL project are: Identify a driving question or challenge that is open-ended, meaningful, and aligned with the learning objectives and standards. Plan the project scope and timeline, including the milestones, deliverables, and assessments. Provide students with access to various resources and tools, such as books, articles, websites, experts, mentors, or technology. Facilitate students’ inquiry and investigation process, by guiding their research questions, hypotheses, data collection, analysis, and synthesis. Support students’ collaboration and communication process, by establishing norms, roles, expectations, and feedback mechanisms. Encourage students’ reflection and revision process, by helping them evaluate their work, identify strengths and weaknesses, and make improvements. Celebrate students’ presentation and sharing process, by providing them with opportunities to showcase their work to authentic audiences. One example of a PBL project that is aware of contemporary research ideas is the Unleashing the creativity of teachers and students to combat climate change: An opportunity for global leadership project. This project challenges students to develop and implement climate action projects in their homes, schools, and communities. The project is based on the latest research on how education can help reduce carbon emissions and empower students to become climate leaders. The project also provides students with various resources and tools to support their learning and action. Another example of a PBL project that is aware of contemporary research ideas is the From Farm to Table project. This project asks students to compile lists of frequently eaten foods and then research their origin by analyzing food displays or speaking with the grocer. The project helps students understand the impact of their food choices on the environment, health, economy, and society. The project also exposes students to different perspectives, cultures, and experiences related to food production and consumption. These are just some of the ways to provide stimulus in a creative education environment that is aware of contemporary research ideas. Stimulating a sense of value, self-confidence, and freedom. Stimulating a sense of value, self-confidence, and freedom to confidently ask questions without fear of embarrassment in the creative classroom is a goal that many educators share. Creating a positive and supportive learning environment can help students develop their creativity, curiosity, and critical thinking skills. Here are some possible ways to achieve this goal: Encourage students to ask questions and explore their own ideas, rather than providing them with ready-made answers. Praise their efforts and curiosity, rather than their outcomes or intelligence. Model confidence and openness by sharing your own questions, challenges, and mistakes. Show students how you learn from feedback and overcome difficulties. Provide students with opportunities to express themselves in different ways, such as through art, music, drama, or writing. Celebrate their diversity and uniqueness. Create a safe and respectful space where students can share their thoughts and opinions without fear of judgment or ridicule. Establish clear rules and expectations for positive communication and collaboration. Help students develop self-awareness and self-regulation skills by teaching them how to set goals, monitor their progress, and reflect on their learning. Use questions to guide their meta cognition and self-evaluation. By following these suggestions, you might be able to stimulate a sense of value, self-confidence, and freedom to confidently ask questions without fear of embarrassment in the creative classroom.

This is this weeks study questions which we will pick up in next weeks session. Please take time to read the links and bring your thoughts to the next sessions development.

Oh! Before you go, could you put the following words in an arrangement, order, pattern as you feel is appropriate to your personal learning ideals. Cheers!

Values * independence * coaching * meta cognition * security * noticed * safe * pushed * encouraged * ownership * heard * self * noticed * shared * consistency * myself

MASSIVE SHOUT OUT IF YOU CAN PUT ALL OF HIGHLIGHTED WORDS INTO A PARAGRAPH ON WHAT LEARNING IDEALLY WOULD BE CATERED FOR YOU - POSITIVE OR NEGATIVE!

Finally a brilliant quote from the late Sir Ken Robinson

“The gardener does not make a plant grow. The job of a gardener is to create optimal conditions.”  

Best, Neil

Freya George illuminates the need for creativity in the History classroom

Celebrate Creativity, Courage & Collaboration!

Quote: Edward Povey “It is better to discuss large ideas using small gestures. When we over-use large gestures, they progressively lose their power. A play, book, film or artwork that is non-stop drama has no contrast or topography, no quietness setting the stage for a storm.”

Photograph is the occasion for connection.

Arts + Values = Human Expression https://www.youtube.com/watch?v=PjZWHmWKIFA  TD360.CO.UK/4D 

CHRIS HORNER |  SCULPTURE  |  https://www.chrishornerartist.com/

CHRIS HORNER | SCULPTURE | https://www.chrishornerartist.com/

  • ABOUT

    Chris Horner is a British artist who lives and works in Hampshire. As an artist, his main concern is challenging people to see the possibilities in beauty through pre-used building materials where others see functionality. When he has free time away from his studio, he finds himself supporting his father in the building trade, so many of the materials he works with come from the building site. Each artwork is structured around acute, careful methods that have been adopted from the building site. Each method is mixed with artistic processes that are free flowing and quite chaotic, but at the same time carefully planned. Chris received the JPES Partnership prize at The London Group Open Exhibition in 2019 and was elected by The London Group Membership Committee to become a member in 2020, and his works have been collected in various private collections in the UK and Internationally.
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Articles that have reached a broader audience through shared publication

New Kids on the Block | CYF Youth Platform.

New Kids on the Block | CYF Youth Platform.

Working with over 100 countries, the OECD is a global policy forum that promotes policies to improve the economic and social well-being of people around the world.

https://www.oecd-forum.org/posts/the-new-kids-on-the-block-youth-creativity-community-of-practice-a-recently-formed-collective-platform-for-youth-creatives-with-voices-to-share

A wonderful article written for the OECD Platform introducing the creative youth forum  contributing to the C-COP community platform.

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The CYF can now be reached on the OECD (CERI) Platform

The CYF can now be reached on the OECD (CERI) Platform

The Centre for Educational Research and Innovation (CERI) does extensive research work that covers learning at all ages, from birth to old age. It goes beyond the formal education system.


The Centre for Educational Research and Innovation (CERI) provides and promotes international comparative research, innovation and key indicators, explores forward-looking and innovative approaches to education and learning, and facilitates bridges between educational research, innovation and policy development.

https://oecdcericct.com/topics/63eccdca4302996a22410e12 


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CYF supported by ENACTUS

CYF supported by ENACTUS

Enactus is the world’s largest experiential network

The Enactus program provides a platform for teams of college/university students to take entrepreneurial action for others while using business principles and innovation to further the Global Goals and create a sustainable positive impact on people, planet and prosperity.

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CYF working with WVD network to build a Meta Gallery and Creative Library

CYF working with WVD network to build a Meta Gallery and Creative Library

Inspiring greater authenticity, all over the world, by putting values at the heart of society

• Alliances with likeminded companies and not for profit groups, locally and globally • Support the development of values-based learning and co-operation at an individual, organizational and community level • Raise a voice for those who have not found opportunities to do so • Provide network links for educational bodies and CPD opportunities to educators • Develop existing platforms to promote both work and skills by other likeminded creatives • Provide a communication platform for schools, academics and further education bodies to share, connect and collaborate to enhance cultural and economic awareness • Present to the public as a ‘meta village’: initially a gallery space, a library, workspaces linked to our communities to hold summit conversations, talks and workshops and an interactive platform for our work.

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Hear our CYF voices at the One Earth, One Health, One With Summit

Hear our CYF voices at the One Earth, One Health, One With Summit

The virtual summit will be an opportunity for attendees to connect, reimagine, energize and realize how they can be a stronger force for healing in a climate-crisis world.

Madison, WI – The Institute for Zen Leadership, together with the Perma Leadership Project, will host a global virtual summit: One Earth, One Health, One With – a Leadership Summit for People, Planet and the Future, April 20-26, 2023. To optimize opportunities for connection, networking, and practice sharing, the summit was hosted online using vFairs’ cutting-edge virtual event platform.

 An extraordinary group of 50+ speakers and teachers as well as leaders worldwide who care about the thriving of people, planet and our future  explored how to be a healing force amid the climate crisis.

  • What does nature and this time of global crisis call forth in us as leaders?
  • How do we connect with the healing power of nature and heal the world around us?
  • How can we be resourced in our work with heartfelt connectedness?
  • Resource yourself with powerful tools, skills, practices, relationships, and connectedness with the natural world for essential wisdom and resilience.
    • Gain insights from experts in climate change and health, education, regeneration, and leadership around the work to be done and a felt sense of your place in it.
    • Awaken to the power of connectedness as your foundation for leadership, guided by nature, Zen, and Indigenous wisdom.
    • Get clarity on actions you can take, including ways to apply a perma leadership approach to something you’re working on.
    • Develop embodied practices from the stillness of meditation to the joy of dance and power of tai chi, to experience the healing power of one-withness.
    • Build relationships, join initiatives and connect with a vibrant community of practice that help you take action.
    • WHO ATTENED? Health professionals, educators, non-profit, public sector and business leaders, Indigenous leaders, community leaders, embodied practitioners, permaculture designers, ecologists, integralists, climate activists, inheritors of the climate crisis, and everyone who senses the suffering of the climate crisis and is committed to making a healing difference. 


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Dave M

Dave M

Associate Director of Instructional Design & Media at Columbia University School of Professional Studies

We should present instructional content in ways that help learners make sense of the material. This is best done by helping them to select, organize, and integrate new material with relevant prior knowledge.

We do this generally by:

-Minimizing distractions in the material (Reduce Cognitive Load)
-Helping learners better process new material (Enhance Encoding)
-Supporting the construction of models of the material (Create Schemas)

These principles help to create useful online learning experiences with content in two ways:

1. They ensure that learners process information EFFICIENTLY in working memory (by using both the verbal and visual channels);

2. They encourage learners to process material ACTIVELY in each of these channels.

(Mayer & Clark) 

EDIT: I will be changing the text in the center from "Learning Experience" to "Instructional Multimedia"

#multimedialearning #instructionaldesign #evidenceinformedpractice #onlinelearning  

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Stop thinking your ideas don't count, they are valued.

A SHARED GLOBAL FOCUS

News on the widening understanding of creative educational focus and global dissemination .

EDUCATION

Documents and articles published on the development of educational creativity research.

INNOVATION

A collection of articles that showcase how new technology is changing the face of learning.

Q&A

Answers to questions your search engine couldn't find.

YOUTH CULTURE

Sharing on-trend articles from the global youth perspective

CREATIVE MEDIA

Dialogue on the progress, vision and of-moment statements

GLOBAL AWARENESS

Promoting the work of young people making a positive impact on eco difference

DELIGHTING IN OUR GARDEN OF EATS | Rinaldi sings and enlightens.

Recipes and culinary dialogue from global food offerings. Brought to us by the brilliant food scholar and music voice , these eats are more than able to place a party. moment or gathering. https://www.youtube.com/watch?v=cdmycs1iUrk&list=OLAK5uy_mYItotPOwPi84obcgqL-euI8fNBQul8hQ

PERFORMANCE AND STREET GALLERIES

Words from our street creatives

WELL-BEING

Conversation around pro-activity, altruism and self-affirmation

ENTERTAINMENT

What going on and where to find it

MOVING ON AND UP

Career advice, personal development support and charity work opportunities

MUST VISIT DESTINATIONS

Back-packing or holidaying must make at least once

The Language OF Literature and Poetic Devices

Couplets, Metaphors, Imagery, Alliteration, Personification and Rhythm. Best in youth Literature, Poetry and Rap

CONNECTIONS AND NETWORKING

How we can support you to connect

Editors Interviews | Reach Road |

Neil Williams interviews creatives journey from early education to their present roles.

“There is no doubt that creativity is the most important human resource of all. Without creativity, there would be no progress, and we would be forever repeating the same patterns.” – Edward De Bono

A collection of forthcoming articles of interest and action

Biophilic Education

davincilifeskills.com https://davincilifeskills.com/

Rosina is an inspiration to creative education. Modeling the davincilifeskills to a world audience and global governments, her team have built a revolutionary re-think of how we educate and learn.

Da Vinci Life-Skills

We finished a successful pilot with Chatmore British International School, Bermuda last week. We will now be working with them to develop our high school curriculum for September. The pilot finished with two great projects. In our Food pathway students presented their research on reasons to choose a vegan diet and then designed and made their own vegan burgers. In Enterprise students presented sustainable and ethical companies and organizations that they had designed to make a positive difference in the world. #projectbasedlearning #futureofeducation #sustainability

WORLD EDUCATION SUMMIT

We are so excited to be talking at the World Education Summit in March about our Biophilic Education movement. We are sharing our vision for the future of education with Angela Fubler the Founder of Chatmore British International School, Bermuda, where we have our second pilot of the Da Vinci Life-Skills Curriculum. Come and listen. #futureofeducation #WorldEdSummit

UCL Education Innovation and Edupreneurship Society

A big thank you to the UCL Education Innovation and Edupreneurship Society for putting together such a well organised event on Thursday. I had a wonderful afternoon discussing the future of education with a brilliant group of innovators - Zubair Junjunia FRSA, Walter Kerr, Serj Hunt, Tim Neumann and Nikita Khandwala. We discussed how technology and AI are poised to pull the rug from under the current system and how students are not being taught the vital life-skills they will need for the volatile job markets of the future. Through the industrial revolution the UK led the world in high level education for all, but now it is lagging behind and in desperate need of renovation, particularly in England. There are loads of amazing entrepreneurs trying hard to build a new vision of education for the 21st century, but England's restrictive OFSTED led environment can make it really hard for innovators and schools to test new pedagogies. This discussion needs to keep being had until our government listens and writes policies for systemic change! Thank you Frank Yang, Nidhi Anand Joshi, Menglong Bao, Josie Ding, Enkhzaya Ganzorig, Shu Ham Chan, Tess Xiao and Grace Xue #innovation #futureofeducation

Da Vinci Life-Skills | link to home page |

Home page for this visionary, forward thinking collective. https://davincilifeskills.com/newsandmedia.html#top

Cobis 41st Annual Conference

Rosina presenting her Biophilic Education vision at the COBIS conference. She was speaking with Angela Fubler, the Founder of Chatmore British International School, Bermuda, where we will be delivering our Da Vinci Life-Skills curriculum from September.

BE Learning Hub Cambridge UK

Company name change from Da Vinci Life-Skills to Biophilic Education Alliance (BE All). Biophilia - the "passionate love of life and all that is alive... whether in a person, a plant, an idea, or a social group." - Erich Fromm We have had an incredible few months since our last newsletter and we are really excited to share our progress and update you all with some exciting news! Empathy middle school in Bali finished their first action packed school year delivering our Da Vinci Life-Skills curriculum and assessment framework. We have had wonderful feedback from students, parents and teachers and celebrated our first graduation. After a successful two-week pilot in January, Chatmore British International school, Bermuda are preparing to deliver our curriculum over the next academic year for their high school students. In Cambridge, UK we are excited to announce that we have opened admissions for our first BE Learning Hub starting in September 2023 for students aged 10+. "I am learning things I will need for life in a fun and engaging way." (DVLS Student) BE Learning Hub Cambridge Our first Biophilic Education (BE) Learning Hub in the UK is enrolling students for an initial three days a week at a fabulous site at Arrington Village Hall, SG8 0AH, 20 mins south of Cambridge. This is a temporary site until we grow a big enough cohort to find a site closer to the centre of Cambridge. We are offering a 30% discount for students signing up before August 15th 2023. If you are interested in a place for your child, email rosina@davincilifeskills.com or click here to find out more. Versatile Classroom We have a well stocked open planned classroom for an initial cohort of 12 students. Downstairs we have a locker room and amenities. Large Hall We have use of the large Arrington Village Hall and the municipal kitchens beneath the classroom. Outside Learning Our Hub backs onto the Wimpole Hall country estate with acres of grassland and woodland, we also have access to a nearby playground/park for lots of outside learning.

Da Vinci Life-Skills Curriculum - Online Information Session

Are you part of a new school or learning community? Are you looking for a curriculum to nurture the whole person? The Biophilic Education Alliance (BE All) has created the holistic Da Vinci Life-Skills curriculum for students aged 10+ and are offering you the opportunity to implement it at your learning community. To keep the cost as low as possible, they are giving educators the chance to be trained as a group so that the fee can be shared between several schools and learning community start-ups. They are looking for 10 participants from #startup (or newly established) schools and learning communities to form a cohort for their Biophilic Education Mentor #training, to commence in September 2023. Please join this online information session with BE All co-founder Rosina Dorelli on July 24th if you would like to find out more. Da Vinci Life-Skills Curriculum BE All’s #DaVinciLifeSkills #curriculum has five project pathways (as opposed to conventional #school #subjects), including: 1. Food (nutrition/permaculture/cooking/world food); 2. Enterprise (product design/engineering/entrepreneurship); 3. Multiverse Games (role play/LARPing/animation/SEL); 4. Production (film/theatre/music/events/exhibitions); 5. Personal Exploration (autonomy/curiosity/passion). Training At BE All schools, adult staff members are #mentors rather than #teachers. BE All Mentor development courses are offered to BE licensed #schools and #learning communities: “Biophilic Education is a new approach to teaching and learning, bringing together years of academic research in the fields of #psychology and #neuroscience. We are shifting the values away from an all knowing, authoritative #teacher figure that stands at the front of the class to fill empty children with remembered knowledge, to a shared learning journey where a teacher becomes a #facilitator of learning. We ask #students what they are interested in, what they are #curious about and help them discover where their #talents lie. We foster environments where both teachers and students can explore their #passions, grow in #confidence and #collaborate to produce #innovative and #imaginative solutions to the worlds problems.” Are you interested in implementing Biophilic Education in your school or learning community? If you would like to find out more about the Da Vinci Life Skills curriculum and BE Mentor training, please join BE All co-founder, Rosina Dorelli in this online information session. If you can’t make the date, you can still sign up, and the recording will be sent to you afterwards. Are you part of a new school or learning community? Are you looking for a curriculum to nurture the whole person? The Biophilic Education Alliance (BE All) has created the holistic Da Vinci Life-Skills curriculum for students aged 10+ and are offering you the opportunity to implement it at your learning community. To keep the cost as low as possible, they are giving educators the chance to be trained as a group so that the fee can be shared between several schools and learning community start-ups. They are looking for 10 participants from #startup (or newly established) schools and learning communities to form a cohort for their Biophilic Education Mentor #training, to commence in September 2023. Please join this online information session with BE All co-founder Rosina Dorelli on July 24th if you would like to find out more. Da Vinci Life-Skills Curriculum BE All’s #DaVinciLifeSkills #curriculum has five project pathways (as opposed to conventional #school #subjects), including: 1. Food (nutrition/permaculture/cooking/world food); 2. Enterprise (product design/engineering/entrepreneurship); 3. Multiverse Games (role play/LARPing/animation/SEL); 4. Production (film/theatre/music/events/exhibitions); 5. Personal Exploration (autonomy/curiosity/passion). Training At BE All schools, adult staff members are #mentors rather than #teachers. BE All Mentor development courses are offered to BE licensed #schools and #learning communities: “Biophilic Education is a new approach to teaching and learning, bringing together years of academic research in the fields of #psychology and #neuroscience. We are shifting the values away from an all knowing, authoritative #teacher figure that stands at the front of the class to fill empty children with remembered knowledge, to a shared learning journey where a teacher becomes a #facilitator of learning. We ask #students what they are interested in, what they are #curious about and help them discover where their #talents lie. We foster environments where both teachers and students can explore their #passions, grow in #confidence and #collaborate to produce #innovative and #imaginative solutions to the worlds problems.” Are you interested in implementing Biophilic Education in your school or learning community? If you would like to find out more about the Da Vinci Life Skills curriculum and BE Mentor training, please join BE All co-founder, Rosina Dorelli in this online information session. If you can’t make the date, you can still sign up, and the recording will be sent to you afterwards. vv

One of Londons most talented performers speaks

Olivia Field-Williams speaks up for the young performers living in rural areas.

Olivia Field-Williams speaks up for the young performers living in rural areas.

Olivia is without doubt one of the best performers working in London today. She wants to get behind those of you who don't feel you can follow your dreams, who don't believe you as a creative would make it. You can, and with determination and support you will. Thank you Olivia for this wonderful testimony.


Hello! I’m Livia Field-Williams and I have recently graduated from one of the UK’s leading drama schools: The Arts Educational Schools London, better known as ArtsEd. 

I studied Musical Theatre on the three-year degree course, training from Monday to Friday in extensive dance, singing and acting disciplines. Despite having enjoyed and developed skills in musical theatre since early childhood, I found the transition into higher education in the arts very challenging.

 I grew up in a small market town in rural North Shropshire. Whilst it was a lovely place to be a child, when I entered my teenage years and aspired to take Musical Theatre more seriously, I found there was a distinct lack of accessible performing arts groups within an hour’s travel. I found that in order to attend classes or clubs to develop my skills, I had to rely on my generous parents to drive me forty-five minutes or more in any direction (after a busy working day for them, I’m sure). Whilst I’m aware this doesn’t seem like a particularly pressing issue, I noticed later on that I faced a huge disadvantage when auditioning for places on higher education courses. When I began auditioning for drama schools, I was suddenly competing with a huge volume of city-born performers who had been attending extra-curricular arts training upwards of 3 or 4 times per week. The standard of dance in particular was almost impossible for me to compete with, as despite having studied ballet and jazz since my early years and having a natural facility, I simply hadn’t had access to consistent classes. Dance especially is a discipline in which training during formative years can be imperative, and I felt that I’d missed out on fulfilling my potential due to a lack of arts education in my area. With the help of my extremely supportive family, I was able to take the time I needed to gain a place at drama school. It took me four years of annual auditions to do so, including a full time practical foundation course designed to give young performers the additional training needed to gain a degree course offer. (This, unsurprisingly, meant moving down South.) I spent my earlier gap years working various high street jobs in order to afford classes and corresponding travel to make up for lost time and training. I decided after my fourth year of trying, if I was unsuccessful at gaining a place at a reputable drama school, I would give up and pursue another line of work, seeking education in English Literature or another more academic subject. Thankfully, that year, I was offered a place at my dream school, and was finally able to begin my Musical Theatre degree. Now that I’ve graduated, I can look back on those years with pride and gratitude. However, I have often been reminded throughout my course of the disadvantage I faced against course mates with more childhood experience. Whilst it’s easy to question the geographical representation within the average drama school intake, I believe that in the interest of fairness, and the quality of the performing arts industry, schools should accept only the candidates with the most talent, regardless of whereabouts they come from. I am very much aware that without the privilege of an encouraging and dedicated family support system, I would objectively have not been successful in my pursuit of drama school training. This is a privilege that not everyone can depend on, and I wonder how many passionate and talented young people are unable to pursue their careers in the arts as a result of insufficient arts education. I am neither a political nor educational specialist, and I cannot comment on whether this issue could be lessened by more far-reaching financial support in arts education, or whether perhaps it is simply an unavoidable dispersion of willing and qualified educators. However, I hope, for the next generation of young performing artists, that consistent arts education will become more accessible for those growing up outside of the country’s major cities. For now, graduating at 24 alongside my 20 and 21 year-old course-mates, I can only be proud of what I have achieved, and eternally grateful to those that have helped me achieve it.

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17Aug

How teachers can promote a love of reading in their schools | Hannah Spelman | https://www.madeleinelindley.com/ |


Teachers play a critical role in nurturing a love for reading among children. This task can be challenging but is also profoundly rewarding. It not only boosts academic performance but also enriches personal growth and lays the groundwork for a lifelong bond with books. Various elements add complexity to this mission, such as catering to diverse student interests, accommodating varying reading levels, creating emotional resonance, and integrating literature across a spectrum of subjects.

Here, Madeleine Lindley Ltd provides an in-depth guide that addresses these important factors,

Constructing a diverse library 

 The foundation of fostering a love for reading is a comprehensive, diverse library. Offering a kaleidoscopic array of genres and topics caters to different children’s interests, encouraging exploration and discovery. It's essential to include fiction and non-fiction, poetry, graphic novels, and various forms of narrative to captivate all readers. A teacher must also represent diverse cultures, genders, abilities, and experiences in the books they choose, promoting inclusivity and broadening their children’s perspectives.

Accessibility and readability

Every child deserves the joy of immersing themselves in a good book. Catering to different levels of reading ability by providing a gradient of complexity ensures both budding and advanced readers find appropriate and engaging material. Consideration for children with specific needs is crucial too. Enlarged text, audio books, or tactile books can help students with accessibility needs to embrace the reading culture and ensure every child feels included

Emotional engagement and resonance

Books serve as mirrors and windows into feelings, serving as a tool for emotional exploration and understanding. Incorporating literature that spans a myriad of emotional themes enables students to understand their feelings and empathise with others. Age-appropriate books exploring joy, sadness, friendship, conflict, and beyond can also stimulate meaningful conversations and nurture emotional intelligence.

Integrating literature across the curriculum

Reading should not be confined within the bounds of language studies but woven into all subjects, reinforcing its relevance and utility. This can be achieved by introducing subject-related books in science, history, or maths. When you do so, students can appreciate the practical application of reading, bolstering their engagement.

Developing a reading culture

Building a rich reading culture requires effort beyond the library. Teachers can model their passion for reading by sharing their favourite books, engaging students in lively book talks, and dedicating time for quiet reading. Collaborations with local libraries, children’s book suppliers, exciting author visits, and thrilling reading challenges can make reading a shared community experience rather than an isolated task.

Professional development for teachers

Teachers are the light guiding students towards finding a love for reading, and staying updated with effective literacy promotion strategies is essential. Regular professional development via workshops or seminars focused on reading instruction can empower teachers with innovative, engaging techniques to kindle enthusiasm for reading.

Parental involvement

Families also play a key role in nourishing a passion for reading. Teachers can help promote the value of reading in this home environment by recommending engrossing books for home reading, organising delightful family literacy nights, or leveraging digital platforms for parents and children to share their reading adventures. This helps extend the culture of reading to the home, reinforcing its importance

Regular evaluation and adaptation

Lastly, continual evaluation and adaptation of reading promotion strategies keep the flame of reading passion burning brightly. Teachers can use student feedback, peruse reading logs, or consider book discussion outcomes to gauge the effectiveness of their strategies and make the necessary course corrections. 

Sparking a love for reading is a multi-dimensional effort involving the thoughtful selection of books, accessibility considerations, emotional engagement, curriculum integration, the creation of a vibrant reading culture, professional development, parental involvement and regular evaluation.



  •  19/01/2023 20:41

Learning applications for educators and those in education.

Articles written by our C-CoP and CYF members

COGNITION AND METACOGNITION WITHIN SELF-REGULATED LEARNING | Neil D F Williams

Neil proposes a learning model for the potential development of broader independent curriculum models that encourage metacognitive and self-regulated learning

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Jane Ryder, Education Consultant and creative research specialist | Creativity

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Andrea Cox | Careers Consultant | Social Sciences | Exploring our Curiosities

It was great presenting at the King's College London Festival of Learning and Teaching this year - I presented on using curiosity as an alternative approach to traditional career planning (aka presenting career options). I think it's particularly helpful for students who are overwhelmed by the choice and uncertainty around planning their futures. #research #research The session is based on neuroscience research (Sarah-Jane Blakemore) and planned happenstance theory. Dr Faith Taylor and I designed it to be run by non-careers experts (e.g by academics in personal tutorials for group coaching sessions) Here's the padlet we created, feel free to adapt for your own cohorts: https://lnkd.in/e7RA3tcW

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THE ART OF VALUES | bringing to awareness the 12 principles of Permaculture through our creativity senses |

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Forty things to recall I the Graffiti narrative I

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Rosina Dorelli

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Presently working on several TV series, and has recently completed works as an animation Director for Milo ( Channel 5 UK ), Hey Duggee! (C beebies), Lead Designer on Dog Loves Books ( Cbeebies BBC UK ). FULL PROFILE AND BACK STORY COMING SOON!

Film Maker William gives us a three part film of his amazing journey from youth actor to professional film maker.

Part one script

Part one script

Script For Film One

Hi, I’m William Howe, Co-founder and Creative Director at Sidekick a proud, former student as Samuel Ward, and unlucky enough to have been chased by the most persistent man on the planet Neil Williams to be on camera and tell you a bit about who I am and what I do!

At Sidekick we’re a collective of agencies with specific skills, from Video Production, Design and Digital, Experiential and Events through to Retail Excellence and Product Sampling. Each agency retains it’s individual expertise but by bringing them together into one share space and team we’re able to pull upon the unique experiences of each agency to ensure we’re able to look at any brief through the right lens.

Being a Creative Director was never something I planned for in my career but is by far the most rewarding role I could imagine. It’s no joke when I say I’ve been working my whole life, I started out age four as a child actor, not quite Macaulay Culkin, but I was lucky enough to work with some amazing directors and travel the world doing it till I was 13 years old, when sadly the teenage years hit hard and I became the man you see in front of you now! But that passion for working and being around adults never stopped, I took any work I could from landscape gardening, working in a coffee shop to working in Schuh. This energy for the workplace really informed my decision to not go to university. I’d somehow managed a A* in Media Studies and Photography and a D in English but we won’t hold that against me. But, now it was time to take a risk, wangling an opportunity in London as a runner on a corporate shoot for a day’s work experience. My lack of tea making skills meant a very quick shift to supporting the camera team with their bags and making sure they got their Tea’s and Coffees made perfectly. On that one day, I threw myself into any challenge required and kept me ears open trying to pre-empt some task and stayed open to all crew members. I found even on the scariest of shoots making sure when you pass someone for the first time you acknowledge them, smile and perhaps “a wild idea I know” introducing yourself really set the tone of who I wanted to be; kind, open and friendly.

This simple trick, meant I got invited back then next day and for the rest of the week. I also got introduced to the Director of Photography and owner of the agency. The Director of Photography later that year taking me under his wing and kickstarting my career travelling the world filming. And the Agency owner giving me my first full-time job, where I learnt what it’s like to work with others in an office day-to-day.

After five years of editing, camera assisting, becoming a shooting PD and traveling across the world for work I had the pleasure of meeting my business partner on a shoot in Ibiza (sounds glamorous but sober maybe less so). We both were in a place of wanting to spend a bit more time in UK and came from different sides of the agency world. We started out with a vision of being fairer both to the crew but to clients too. Losing the fat from bloated shoot crews, tapping into my experience of travel crew set ups and putting client service and experience at the front.

As a two-person outfit, we set out with a handful of friends with possible work we’d have to prove our creativity on executing. Two BAFTA red carpets, 360VR World First lots of telecom’s videos, we expanded to our first employee and partnership with an experiential agency called Kreate. This is where the vision and drive for the business truly changed to build full service offering of agency’s that can work in collaboration and truly be one team.

Six and half years late here I find myself about to turn 29 looking at team of nearly 58 people across the business, that same simple principle of ears open in every scenario still stands. From client meetings to supporting colleagues and understanding the true rhythm that the agency is beating at is being open, being comfortable with uncertainty and certain that nothing is certain.

I live pretty happy knowing that if we continue to build our companies through fairness, empathy and talent. By focusing on humanity, the bottom line will follow.

 William Howe | Creative Director He | Him | His

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| Live up-date | C-Cop and CYF NEWS

One Earth, One Health, One With

One Earth, One Health, One With

One Earth, One Health, One With - A Leadership Summit for People, Planet and the Future April 20-26, 2023 An online, worldwide gathering of leaders who care about the healing of people, our planet and our shared future for nature-inspired and Indigenous wisdom, collaborative learning, immersion experiences, transformative practices, inspiration, meditation and muscle to address the critical work of our time with heartfelt connectedness. Through live events and recorded sessions, we’ll explore the intersection of climate change health, and EDUCATION sharing guidance and inspiration around regeneration and nature-inspired “perma leadership” that heals the world around it. Participants will be further resourced by transformative practice sessions for deepening connection with themselves and nature, as well as interactive online sessions, augmented by local in-person events, for building connections with others and communities of practice enduring beyond the summit. In addition to wisdom and inspiration offered in many summits, One Earth, One Health, One With aims to help participants find their place in the work, as well as practices and support for creating thriving in their world, healing where they can in the climate crisis, and facing its fallout with unshakeable resilience
TASK - C-COP - invited to run DAY 2 on World Innovation and Creativity Day

•Offer to create a pre-recorded session (10 mins to 45 mins) •Share research •Share tools •Share inspiring stories •Showcase your work • •Invite your network to participate

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The Creativity and Innovation Day to remember.

The Creativity and Innovation Day to remember.

What will the focus of Creativity and Innovation day be on 21 April 2023? Creativity and Innovation Day is focused on inspiring creativity and innovation in all areas of life. It is an opportunity to celebrate the power of imaginative thinking, problem-solving, and collaboration. The day aims to encourage individuals and organizations to explore new ideas and to think outside of the box. It also encourages people to take risks and to be open to learning new things. The main goal is to promote creativity and innovation in all aspects of life. Why are is there a focus on permaculture and what is the purpose of the permaculture ethics? The purpose of the permaculture ethics is to promote sustainable living by following three core principles: care for the earth, care for people, and fair share. They are intended to guide ethical decision-making and to provide a framework for designing and managing land and resources in a way that respects the environment and pro - vides for people’s needs. The ethics can be applied to all aspects of life, from food production to lifestyle choices. How is Creativity and Innovation linked to permaculture and a re - generative future? Creativity and innovation are linked to permaculture and a regenerative future be - cause they are essential for developing new ideas and solutions for living in harmony with the natural environment. Creative and innovative thinking can help us to identi - fy sustainable and regenerative solutions for our current environmental challenges, such as climate change, soil degradation, and species loss. Permaculture practices, such as regenerative agriculture, help to create a regenerative future by restoring and regenerating ecosystems. Innovation and creativity can help us to identify and implement regenerative solutions.

Now what can you do to help us? 1. Share your project with us because we want to celebrate your story and your work 2. Provide us with pre reading material to share 3. Create a small introduction video about yourself Include these parts in your video: Please provide us with the video information ASAP. We are getting our social media up and running and your voice is key. * Who you are * Where you are from or where your project is based * What you are working on that is inspiring to share with world and worth celebrating * What participants will learn in your session * Connect the dots how you are implementing creativity and innovation in your place braced project * Share your impact story with us (in a nutshell) * Highlight your tools, techniques, methods or principles *Let us know how you do what you do and how others can do the same 

What to remember while preparing your presentation: 1. Prepare thoroughly for your creativity workshop, you will have 45 minutes to do your magic. 2. Create a positive and supportive environment for the participants. 3. Encourage the participants to share their ideas and be creative. 4. Be mindful of the balance between allowing people to explore their ideas and staying on track with the workshop goals. 5. Inspire the participants to think outside of the box and come up with innovative solutions. 6. Lead the participants through the workshop, ensuring that everyone is engaged and participating 

How can you guide your participants: 1. Introduce the big question and ask participants to brainstorm solutions. 2. Guide the participants through an activity to help them create a plan of action. 3. Ask participants to identify the resources that they have available to them and how they can use them to reach their goals. 4. Facilitate a discussion about the importance of collaboration and how it can help scale small actions for big impact. 5. Encourage the participants to think of ways they can add value to their lives and the lives of other people through their actions. 6. Break the participants into small groups and ask them to come up with an action plan. 7. Give the participants time to refine their action plans and think of ways to apply them to their lives. 8. Reconvene the group and ask them to share 9. Celebrate the results of the workshop and discuss how the participants can continue to use their action plans to add value to their lives and Earth Day 22 April 2023  

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Couplets, Metaphors, Imagery, Alliteration, Personification and Rhythm. Best in youth Literature, Poetry and Rap

A MESSAGE FROM OUR PRIMARY CYF EDITOR IN CHIEF. Sofia and like-minded eco-aware young people bring you their perspective of the importance of green change for a better future for them and future generations.

Articles and web links by our Youth Editorial team

Summits, conferences and live events announced for this calendar year

 
The ability to form innovative change , technological eco- betterment takes you to a library of eco development links, to broaden the understanding of planetary care and actions.
If you wish to contribute to this page please email me your articles or links and we will post them for you, however large or not so large.

THE ART OF VALUES | BRINGING TO AWARENESS THE 12 PRINCIPLES OF PERMACULTURE THROUGH OUR CREATIVITY SENSES AND OR PLANETS CONTRIBUTIONS |

Supporting your decision to set up business, and offering the best advise from those who have done this

Experience how you can feed your potential

street arts

performance, dance, visual arts | meet and greet |

Foods

Discovering the tastes of our global gardens

Planetary awareness

Applauding those who make a difference

"WHERE NO PUPILS CREATIVITY GETS OVERLOOKED"

ArtsSpace  |  Eastern Arts Education Showcase |

ArtsSpace | Eastern Arts Education Showcase |

ArtsSpace is the home that celebrates the arts in the east of England UK. As a platform for inclusive opportunities for any youth to celebrate, ArtsSpace offers both a virtual gallery, library and platform for young people to share with others globally their creativity. Our first exhibition will be held in October withing the Fourth Dimension omniverse https://www.youtube.com/watch?v=PjZWHmWKIFA  and on the CYF platform www.creativeyouthforum.com The first exhibition will be shared by 5-18 yrs old students in education across UNITY schools AND OTHER EASTERN EDUCATION PLATFORMS.

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The growing media movement and how to survive it

Events and Summits our community have representation with

Sorry, registration has ended.

World Creation Week https://wciw.org/

  • Date: 21/04/2023 00:00

Sit back and focus your eyes and senses on the image and defrag your mind

This is your opportunity to ask questions related to your course or career that might be best answered by a C-CoP Specialist - BETTER THAN A SEARCH ENGINE DONT YOU THINK?

Influencer, Motivator, TED X presenter and speaker, Mark shares with us the most pressing creativity issues, and how, with other world presenters he develops some of the most exciting world summits on our globe

World Creativity day and Summit

World Creativity day and Summit

   WORLD CREATIVITY DAY and Summit

 We ask what people think about the global environmental situation, and what they most care about the environment.

 PROJECT DESCRIPTION: What is World Creativity and Innovation Week/Day?

 World Creativity & Innovation Day was founded in 2001 by a Canadian woman, Marci Segal, who had studied creativity at SUNY Buffalo (University at Buffalo, New York) .

 Her purpose was to remind and encourage people to use their creativity to make the world a better place and to make their place in the world better too. She chose April 21 to commemorate the date – the day before International Mother Earth Day, to emphasize the importance of using new thinking to create a decent life for all on a sustainable planet.

 In 2006, WCID became WCI WEEK, ending on the same date. Plans are in place to soon possibly make the celebration year-round – but the DAY will remain and always will be the day before Earth Day. In fact, in 2017, the United Nations made WCID an official UN Day of Observance, cementing its place in the calendar. So from the beginning, the connection between creativity and environment has been at the core of this commemoration. These back to back days show us that of all the ways to use imagination productively and for the good of humanity, our environment may be the most important. Indeed, last year, the WCIW focussed WCIW on the UN Sustainable Development Goals. What are the SDGs? The Sustainable Development Goals (SDGs), also known as the Global Goals, were adopted by the United Nations in 2015 as a universal call to action to end poverty, protect the planet, and ensure that by 2030 all people enjoy peace and prosperity. The 17 SDGs are integrated—they recognize that action in one area will affect outcomes in others, and that development must balance social, economic and environmental sustainability. Countries have committed to prioritize progress for those who're furthest behind. The SDGs are designed to end poverty, hunger, AIDS, and discrimination against women and girls. It’s an ambitious list! As you can see, fully half of the SDGs are directly related to the environment:

 2 - Good Health and Well-Being

 6 - Clean Water and Sanitation

 7 - Affordable and Clean Energy

 11 - Sustainable Cities and Communities 

12 - Responsible Consumption and Production 

13 - Climate Action 

14 - Life Below Water

 15 - Life on Land 

 Many of the rest are certainly very connected to the environment, too: No poverty, Zero Hunger, Decent Work and Economic Growth, Industry Innovation and Infrastructure, Reduction of Inequality – all of these require a healthy planet! Also notice the last of the goals, number 17: Partnerships for the Goals – which applies directly to a question we are asking:

 How Might Creativity Empower these goals?

 What is the Decade on Ecosystem Restoration?

 In order to meet the Sustainable Development Goals, ecosystem degradation must be stopped and restoration undertaken on a massive scale. All environments, from forests and oceans to Savannahs and Peatlands, need support. Global ecosystem restoration will also help us build back from COVID19, prevent future pandemics, and create millions of jobs. Investment in ecosystem restoration can yield a 10x of economic benefits. There are hundreds of thousands ecosystem restoration initiatives already in place around the world. But there are not enough resources to support them. The Decade for Ecosystem Restoration runs until 2030 and is designed to provide a platform for governments, private sector companies, civil society and local communities to help restore our planet’s health. The goal is to restore the relationship between humans and nature by expanding healthy ecosystems and halting their degradation. There is a special focus also on the roles of indigenous people, women, and youth. How can we scale up existing restoration initiatives? How can we create effective new initiatives? What are the best practices for designing, implementing, and sustaining such initiatives?  A welcome poem to remind us the importance of what we are dealing with in Ideas World Cup can be watched in the next section of the CYF platform. The author and voice of this beautiful poem based it on creativity ideas collected from across the globe.

 How might we ….. Discussed other possible initiatives.

 (here’s a beginning of a list): - Create poetry, music, artworks that address and call attention to the situation - Use creative divergence and convergence techniques to help think of new ideas for new or existing restoration projects - Bring creativity AND environmental education more intentionally into our schools ?   

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Illuminating the silent creative voices in education that are too often, rarely, or never heard.

Why are so many young creatives not being acknowledged in so many mainstream education systems ?

Why are so many young creatives not being acknowledged in so many mainstream education systems ?

Do you know which country is leading the world for productivity, employment, happiness, well being and creativity? 

FINLAND - nil points from Eurovision, oh! that the UK... most years

Yep, if you have asked me as a younger creative growing up anything specific about Finland, I probably wouldn't have any informed answers ( we didn't study that in school, we did KES and other non-life changing stuff)

Finland is top of about every table or chart for just about everything. When asked,  what do they say they do to make this all happen..  What is the Finnish secret? They bother to look at the most recent research in education for working in the new - not industrial revolution- but the creativity revolution.

Finland is ahead because it has acknowledged that the next generation of careers will focus on creativity as the generator of productivity, innovation, altruism, and yes , happiness. The bigger picture ideas will not be found in so many of the education structures we keep propping up. We need to open our eyes and realise change is inevitable. 


CREATIVITY is academic and necessary. 


And yet so many education systems still have STEM as a eleven to eighteen priority despite the growing career moves to educate skills in innovation and creativity. Are even the way in which we examine skills appropriate for our evolving world. 

STEM people, we are no longer in the Victorian era, and perhaps it needs to be a policy to acknowledge the importance of the arts and the skill lead they provide. Things have moved on. Finland have put an A into STEM and it seems to be making a big difference.

steAm

Sounds better don't you think?

Education results are the near the highest in the world, everyone is employed and really happy with there work and creativity is top of the pops!

Over the next three platform shares our youth team will be sharing their investigations into Finland's creativity polices in their education systems and in the work place. We will be researching deeper into this important reality and interviewing creatives to explain the differences and benefits living and being educated in Finland brings, and sharing with you what we discover.

 Creatives - your time is now,


carpe diem 

 







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Stories that have stood out during this Quadrimestra

Neil Williams

Hello, my name is NEIL  - one of the editors of this Platform.
Artist, educator, writer, etc... I have lived in Shropshire, Gibraltar, Cardiff, Bristol and Haverhill, Called SIR for most of my life, and other names that don't appear in language today , even before Babel.
My parents chose to give a lot of their life's to supporting me and my " and how will that get you a job?" dreams. They, above most, believed in me.
The pirate shirts, red trousers and Tukka boots, would be pop star, young creative, will-be, actually became a lead in the arts! Because they believed, I believed, and because I believed,
things got done!
Why? Because there are, if you look for them, brilliant, selfless people, who are out there and will believe in you .
Shared with me, by example, was confidence and self-belief. Potential as a young person to understand that all ideas, however small or large are possible.
Thank you planet earth. If I was counting teaching numbers, I've been proud to work with 132 students who got into their chosen art schools, several world creative leaders, Bafta winners, film makers, film actors and writers, and most importantly, 28600 hours of art lessons.
Family, friends, teachers, coaches and people, generally want you to do well.
A close friend, Rabbi Brendan Kaduri, often says to me "if you ask a student to work for one week with two scholars, at the end of that week you will have three scholars"
Trust in your abilities, make the effort we would love to see you make, see your place on this planet and celebrate the fact that you can.

Recipes and culinary dialogue from global food offerings. Brought to us by the brilliant food scholar, critique and musical voice , these eats are more than able to plate your party. event or gathering.

Aron Halevi  | Creative. Social. Innovator | CCoP Community

Aron Halevi | Creative. Social. Innovator | CCoP Community

Yes, that’s me. 1985. With my best friends at Omdraaisvlei - a farm in the Great Karoo where my mother and I lived for 3 years after my parents split up. She got a job teaching farm labourers’ children on the farm school, and would home-school me in the afternoons. I never wore shoes. I learnt how to herd sheep and avoid thorns. I didn’t really know I was white or Jewish until I was 8 years old and we came back to Cape Town. It was here, in the middle of the Karoo, that my moral compass was set. It was here that I learnt what injustice feels like, and looks like. And it was here that a part of me awoke that has never gone to sleep. And even if I had a choice, I wouldn’t let it. Almost 40 years later, that little boy is still inside me, saying “it doesn’t have to be this way. Surely there must be something we can do?!” And even though I have lost my hair (and that awesome waistcoat;) I am still trying to figure out the best answers to that question. And doing my best to avoid thorns. #socialimpact #CreativityWillSaveUs #southafrica #resilientcommunities #backtothefuture

Life changing conversations by the the most effective and visionary speakers

Malika Favre by Malika Favre

Malika Favre by Malika Favre

Stunning illustrations by the rising star of French illustration and graphic design. Malika has been a huge influence on designers in recent years with her distinct minimalist aesthetic. This is a must go to for you fine artists out there.

Abi Daré | The girl with the Louding Voice

Abi Daré | The girl with the Louding Voice

The Girl with the Louding Voice is a story about a teenage Nigerian girl called Adunni who becomes a maid and struggles with many things growing up, including her limited education, poverty and her ability to speak up for herself. This is a MUST read. Brilliantly scripted and totally engaging. Editors choice to add to your collections.

OF THIS OUR COUNTRY

OF THIS OUR COUNTRY

Abi Daré explores the cultures, traditions and unchangeable contradictions that can make up a Nigerian’s identity. Powerful, lyrical and entirely unforgettable, the essays from OF THIS OUR COUNTRY weave together a living portrait of Nigeria, one that is as beautiful as it is complex.

For Children of all Ages - Spiros Gratsias

For Children of all Ages - Spiros Gratsias

This is a story about the friendship between a small statue called A and a beetle called B. B is flipped on its back and cannot turn upright. A who cannot move helps in any way he can. A and B prove that friendship is a wonderful gift! This beautifully illustrated book can also be a coloring and doodle book!

Michael Williams - Only Yesterday

Michael Williams - Only Yesterday

A wonderful and engaging account of life growing from the early 1940s to the present day. recollections of my early years spent in a remote Shropshire village and the rustic friends and characters I gladly called my friends, and ends with a description of some of the more adventurous years I served in the Royal Navy!

PLAY AND FOCUS

Sometimes we need to acknowledge our talent and how creativity shines in every setting

And Breath.. THE ART OF MOVEMENT AND SOUND | REASONS TO GET OUT MORE |
Please send in your videos of PERFORMANCES YOU THINK WILL INSPIRE EVEN MORE CREATIVITY
 

AMY Sheehan UK

HOLLY Tabor UK

CHARLIE-ROSE UK

Sofia Hayes

Help us come together and create a space where each publication we can zoom gather and speak about our worlds.

The CYF, the youth branch of Creativity Community of Practice, is a visionary group of young creatives completely committed to hearing your voice on global educational developments and here to support you with your creative innovation and leadership



Thank you for taking time to check us out. We are the Creative Youth Forum Network for Global Curriculum Change in Education, the live Q&A service, network support forum and quadrimestre periodical.

CYF Network is a space to exchange knowledge and ideas and cross pollinate questions and answers to pressing creativity problems.

Creative Youth Forum is an emergent platform directed by a CYF Network editorial team (10 -25yrs) and supported by a board of Educators, Academics, Creative Specialists and Professionals in Fine art; Animation; Film; Design; Creative Writing and Poetry; Drama and Dance; Engineering and Programming; Architecture; AI Science; Biomimicry and Fashion.

Creative Youth Forum  is united with  international creative corporations, and is affiliated to the Creativity Community of Practice community.

We are able to offer unwavering support to any questions you may have concerning your own education or career journey.

We are able to connect with over thirty global groups who are presently making a significant difference to support youth in both education, campaigns, summits and youth parliaments.

We happily accept articles from outside agencies and individual creatives, so please contact us if you have something to say or promote.

The platforms primary topics:

Creative Education Provision - Youth Columns

Inclusion and Neurodiversity at all levels of education

Global Creativity  Access and Networking

 Avant-garde innovation and creativity in  Education work spaces and curricular structures - Education Specialists and Consultants

Celebrating Youth Creativity in our Gallery for Young Film Makers, Designers,  Visual Artists and Writers

 Answers to your questions, in our "ASK THE EXPERTS" column  - Your personalised answers to questions with detailed one to one responses.

Our Creative Youth Forum Blog

Writers book recommendations

Creative Profiles - An insight into the working life's of our members.

                                                     Creative Community of Practise C-CoP
Our community exists to accelerate the development of creative skills, amplify creativity in the design of education programs, and promote creativity in the adoption of education policies across the globe for children and youth. C-COP drives equal access to quality education by celebrating plurality in all its forms and by building an open and inclusive forum for collaborative knowledge creation and sharing. 
https://corporate.bic.com/en-US/commitments/about-the-creativity-community-of-practice-c-cop




A combination of the experienced and new. The editorial team will make sure your point of view is heard and voiced

Alison James, founder of the international group Creativity Community of Practice and Senior Editorial advisor

Alison James works tirelessly across an international stage to bring together like minded creativity driven people who wish to disseminate their skills and experiences to others. Alison is hugely respected by the Creativity Community of Practice (C-COP), and has made a significant imprint on its community. It is a huge honour to have Alison as a lead on this programme.

CYF Founder, and Education consultant, Neil D F Williams, shares the creative innovations that have made the news in this edition.

Neil condenses some of the most influential youth work taking place in European secondary education in each editorial.

Motivating the cause, from South Africa, Mark Dodsworth, Director, Co-Founder of Red Zebra and Director at ACTITUD CREATIVA, and TEDX motivational instructor, speaks out

Mark brings you insights and up to date communications on developing global projects and forthcoming Summits.

Leading creativity in UK schools. Jennie Langestov Education Programme Manager.

Jennie is here to share her expertise in planning and running creative festivals and CPDs across a broad educational framework. https://nnfestival.org.uk/festival-bridge/

From the University of Paris, a Scholarly perspective, Todd Lubart, Professor of Psychology discusses creativity research he is presently developing

Todd Lubart is Professor of Psychology at the Université Paris Descartes. and former member of the Institut. Universitaire de France.

Daisy Phillips and James Sharp, both music scholars with a passionate interest in music education discuss the importance of accessing opportunities to experience musical participation.

Daisey and James both bright emerging young composers, investigate the marginalisation of Music from global education curriculums - how do we convince governments of the importance of integrating music into our daily life.

Author, Changemaker, Creative play-based learning advocate and Neuro-framework scaffolder. Asha Murphy brings you the latest education innovations take from Australia.

Reports brought to you by one of the most influential international writers on creativity.

Youth Editorial director, editor and columnist, Amy Sheehan directs your questions to experts and presents their responses on our forum pages.

Amy is an inspirational scholar who has campaigned tirelessly throughout her own education to develop greater awareness of the exigencies and barriers that hold back dyslexic learners in our institutions . Amy regularly talks to schools and universities,campaigning for greater dyslexia awareness.

Editorial philanthropist Holly Tabor promoting awareness and inclusion of autistic youth in mainstream education.

Holly is a art graduate who campaigns for greater support and inclusion of autistic students in mainstream education. She has written on the importance creativity can play in educative emersion.

Full time Student and Home Carer, Charlie-Rose highlights global strategies enabling support and structure for students who are both in full time education and being Home Carers.

Charlie-Rose is a full time student balancing a Post-Sixteen education with being a Home Carer. Her cogent influence on disseminating strategies that enable other Home Carers to receive the very best learning and care support is illuminating the educational networks.

UNITE primary creativity editorial chief

Supporting the celebration of creative work from UNITY schools partnership in the UK

EDUCATION TECHNOLOGY AND INNOVATION

UNDER CONSTRUCTION

CAREER SUPPORT

UNDER CONSTRUCTION

CREATIVE YOUTH FORUM PROMOTIONS CO-CORDINATOR

UNDER CONSTRUCTION

INTERNATIONAL GOVERNMENTS CREATIVE EDUCATION POLICIES REPORTER

UNDER CONSTRUCTION

YOUTH OPPORATIONS RECRUITMENT OFFICER

UNDER CONSTRUCTION

COPYEDITOR (POST REQUIRED)

Present post unfilled.

EDITOR for EQUALITY and DIVERSITY

Editorial articles supporting the continued establishment of curriculum entitlement. POST REQUIRED

Andy Samways, Director of Research School and Teaching School, Unity Schools Partnership UK, and OLP Board Member

Andy is Director of Research School and Teaching School at Unity Schools Partnership. He is a member of the Royal Society Education Committee and has a particular interest in utilising evidence around effective implementation at a variety of scales within school improvement. Andy has extensive experience of school and system leadership gained from senior leadership in secondary schools over the past 20 years and most recently through his work leading the Unity Research School and as Teaching School Council EENEL Local Lead for Suffolk. These roles increasingly draw on effective collaboration and partnership working within evidence-based school improvement activity. Andy works tirelessly to support educators, and particularly young professionals. We are so pleased he is able to support this platform and young professionals reading it.

Corporate Social Responsibility I Corporate Philanthropy I Social Impact| Paris Greater Paris Metropolitan Region

The co-ordinator of everything we set out to achieve - a brilliant creative.

OUR CODE OF CONDUCT image



What is the CYF AND C-COP CODE OF CONDUCT?

Our Code of Conduct:
The following principles are the basis on which ongoing quality relationships are formed and maintained. This Code of Conduct should be applied in good faith, with reasonable judgment, to enable CYF- C-COP to achieve its mission within the framework of the laws of each participating country. It applies to all individuals participating in the network in any capacity (including, but not limited to: Our student team members, Network Advisors and C-COP members). These individuals will be referred to as network participants within this Code of Conduct.

CYF-C-COP expects all network participants to treat one another and all people with dignity and respect. We will value the differences between diverse individuals from around the world. Abusive, harassing or offensive conduct is unacceptable, whether verbal, physical or visual. This consideration would prohibit any network participant at any time from physically or verbally abusing another person; from speaking negatively about other network members while representing themselves as an official member of the network; from using profane language or vulgar gestures; from demeaning or belittling another person or making derogatory comments about their race, sex, religion, age, disability, national origin or sexual orientation; and from engaging in conduct intended, or so reckless as to be likely to cause harm to another.

CYF-C-COP expects all members to demonstrate honesty and integrity in their statements and actions. All members shall adhere to the ideals of honesty, fairness without compromise at all times when communicating on our platform.
Media interaction.
When speaking to the news media and in other public statements and settings, participants should conduct themselves with respect and dignity, and they should not demean the organization or other network participants. If, in the context of public statements and settings, participants wish to speak as private individuals, they shall make clear their intention to do so.
It is the personal responsibility of each individual working within and on our platform to observe high standards of communication and personal ethics in all dealings, whether inside or outside the activities of the network.
Profile.
The Creative Youth Forum for Global change in Education, and Creativity Community of Practise 
seeks to be warmly regarded around the world. We wish to earn and preserve a good reputation by striving for excellence in everything we do. As a participant in the network, your actions reflect CYF-C-COP at all times.
Any member of the network who believes another member has acted in violation of this code should report the violation in writing to the Supporting Team. Any complaint not filed in this manner will be disregarded.
Alison James | Neil D F Williams | Founders.


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